Impressionen

Storyteller declare, that music is he own pf Muses living around the water, and this is the origin of its naming. The sages of the old times also proclaimed, that the music could transform the psychic character of people, as music could penetrate the inside of soul, grasp it with enormous power and make the right order. The antagonistic development of improvisative music forms the birth of jazz to our times mirrors that individual can reach the maximum at liberty in her/him improvisations, because opposed to the most of music styles bounding to places , ages, styles and time, individual can perfect self. Cecil Taylor, a great

personality of avant-garde jazz worded: “Improvisation is not else, that the self analysing of the artist and the audience.”

The structure of music is crystal-clear, it is not a container of news or information.

As Feri Németh joins to the trio with his deep voices on saxophone and his creatively impulsive mode of playing it is a direct hit. The two saxophones has been embracing each other already at the beginning of their common playing, and they are sweeping along peerlessly soaring, making the audience shed tears of joy, shinning the full scale of golden steps of the note-row, controlling their parallel solos

with total safeness sparkling an glittering.

The most determining subjective experience of my meeting with Frankie Németh was that event, when I organized a concert for him with a occasional trio in 1991 at Hódmezövásárhelym and against the change and weak points of the music heart there, such a bright faith, impulsion, fanatism and musical humility was emanating from him, which could rarely be experienced even in the circle of jazz-musicans.

That was a embodied example of the thesis of Kassák: “Arts have not goal, bit cause, the artist does not serve on duty, but dispenses gifts in order to be free of her/his estra properties”.